Cassandra Darke - jonathan cape - 9780224089098 -
Cassandra Darke 

Cassandra Darke

She has become a social pariah, but doesn’t much care. Between one Christmas and the next, she has sullied the reputation of a West End gallery and has acquired a conviction for fraud, a suspended sentence and a bank balance drained by lawsuits. On the scale of villainy, fraud seems to Cassandra a rather paltry offence – her own crime involving ‘no violence, no weapon, no dead [...]
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Auteur : 

Editeur : Jonathan Cape

Date parution :

Reliure :
Relié
Nbr de pages :
96
Dimension :
23.1 x 26.7 cm
Poids :
722 gr
ISBN 10 :
0224089099
ISBN 13 :
9780224089098
21,00 €
Disponible expédié
sous 4 à 8 jours

Paiements sécurisés
CB Google/Apple Pay, Chèque, Virement
0.01€ à partir de 35€ en France métropolitaine
Satisfait ou remboursé sous 14 jours ouvrés

Quel est le sujet du livre "Cassandra Darke"


She has become a social pariah, but doesn’t much care. Between one Christmas and the next, she has sullied the reputation of a West End gallery and has acquired a conviction for fraud, a suspended sentence and a bank balance drained by lawsuits. On the scale of villainy, fraud seems to Cassandra a rather paltry offence – her own crime involving ‘no violence, no weapon, no dead body’.

But in Cassandra’s basement, her young ex-lodger, Nicki, has left a surprise, something which implies at least violence and probably a body... Something which forces Cassandra out of her rich enclave and onto the streets. Not those local streets paved with gold and lit with festive glitter, but grimmer, darker places, where she must make the choice between self-sacrifice and running for her life.

Auteurs :

Rosemary Elizabeth "Posy" Simmonds MBE is a British newspaper cartoonist and writer and illustrator of both children's books and graphic novels. She is best known for her long association with The Guardian, for which she has drawn the series Gemma Bovery (2000) and Tamara Drewe (2005–06), both later published as books. Her style gently satirises the English middle classes and in particular those of a literary bent. Both of the published books feature a "doomed heroine", much in the style of the 18th- and 19th-century gothic romantic novel, to which they often allude, but with an ironic, modernist slant.

"Simmonds is a copper-bottomed geniusshe is as brilliant a writer as Britain has." (Jenny Colgan Mail Online)

"Scrooge is reimagined for 21st-century London inPosy Simmonds’s devilishly good graphic novel, Cassandra Darke? her first in a decade. Cassandra is a marvellous creation… There is too much clever detail in each of the panels to take in everything at first read ? but Cassandra is an antiheroine you’ll want to return to." (Siobhan Murphy The Times)

"Simmonds has long been something of a national treasure." (Teddy Jamieson Herald Scotland)

"[This] glorious, inky black tale about a mean-spirited old bag of a Chelsea art dealprovides more proof of [Posy Simmond’s] genius." (Rachel Cooke Observer, **Books of the Year**)

"The new graphic novel by cartoonist, writer and national treasure Posy Simmonds... is a page-turner, [but] it’s impossible to gallop through words and pictures that are so richly textured, so sharply observed." (Francis Wheen Mail on Sunday)

"A Christmas crime story that’s bags of fun… Simmonds’ pictorial storytelling is a joy." (Anthony Cummins Metro)

"Simmonds’ drawings are exquisitely observed, and seamlessly incorporate text messages and online news reports. Her muted palette, with occasional splashes of colour, is absorbing and in the curmudgeonly Cassandra… Simmonds has produced another character that comes living and breathing off the page." (Carl Wilkinson Financial Times)

"Posy Simmonds's delightful new graphic novel Cassandra Darke, full of wonderfully observed vignettes... [is] treasurable." (David Sexton Evening Standard **Books of the Year**)

"[Posy Simmonds] is back with a new anti-heroine… [and] jewel-sharp illustrations." (Claire Armitstead Guardian)

"Posy Simmonds is the mother of the British graphic novel… The end [of Cassandra Darke] is startlingly poignant, and like all good satire it has a quiet reflection on human mortality at its heart." (Lucy Lethbridge Tablet)

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